In every aspect Gold Gin would be the perfect gin for a Bond villain. I mean take a look at that bottle, it utterly demands to be looked at, you can’t miss it, but at the same time you can’t read what’s on it. It’s complex and mysterious. Just like its origin story, listen to this:
“At the beginning of the 20th century, as excavation works were taking place in the Alsace region, a site containing antique valuables was found. Amongst them, there was a gold pot still. After these objects were proved not to have any historic value, they were put on sale.
One of the buyers was an amateur distiller, a man who immediately fell in love with the gold pot still and acquired it. This man had spent years of his life looking for the perfect spirit, the perfect distillation, an elixir as valuable as the material the golden pot still he had just bought was made of.
He finally created a gin with tangerine reminiscences and a delicate memory of vanilla and almonds. He named this special spirit Gold 999.9 as he considered it to be his liquid gold, the purest one.”
We don’t know about you, but our imagination runs wild when we read origin stories like that. Apparently the archaeological dig had stumbled upon the hidden stash of a local pharmacist who – due to the Franco-Prussian War – had put his valuables there out of fear of being looted by the Germans. Something terrible must have happened because the pharmacist obviously never returned to dig it back up again. Nevertheless all of these events culminated into Gold Gin.
The Belgian Finals of the Gold Gin Competition took place in the famous BarZar in Antwerp. Owner and head bartender Maxime Biot joined us in the jury together with Yannick from Njam. There were three finalists: Saif El Ouachem from Cocktail Dreams, Donald Simons from Black Smoke and Bruno Simons from BarZar.
We will not bore you with details and go straight to the results: Bruno won with an excellent Negroni style cocktail based on Gold Gin and Suze Aperitif. The drink fitted the bill perfectly! Honourable mentions go to Donald who made a very nice Gin Sour in which he added marjoram (that’s a herb). The herb did wonders with the gin. And let’s not forget Saif who made us an unusual cocktail made out of rocket salad…
Europe’s capital is preparing for some serious mixing! Finally, we say! From the 12th till the 17th of September no less than 20 cocktail bars in Brussels will seduce you with great cocktails, mind blowing workshops and spectacular guest bartending. So join the party and celebrate a passion for bartending and mixing drinks!
“We really wanted to organise something to bring everyone together in our own city,” explains Sophie Fence. The brilliant initiative comes from Leslie and Pierre from Green Lab Bar in Brussels. Apparently the idea grew after visiting BCB (Bar Convent Berlin) a few years in a row. “We always had a great time there and in the end we were a big crowd of bartenders from Brussels, ” says Sophie.
Well, putting bartenders together is always a good recipe for fun of course and BCB is obviously great. Seeing, meeting and getting to know your colleagues is vital for a local cocktail scene. You learn so much from each other, every bartender always has at least one tip or trick you’ve never heard of. And the stories, my god! Let three bartenders sit around one table and you can write a novel.
So, the idea as we see it is to unite the Brussels bartenders as one happy family that invites their Flemish and Walloon cousins to a seven day party of bartending passion. We’re very excited about that!
You know, just warming up for the rest of the week.
Marco Mathieux guest bartending @ GREEN LAB
Marco Mathieux is the Belgian Commander of The Legion of The Cucumber (that means he represents Hendrick’s Gin) and has always been a great inspiration for the Brussels bartenders. Or as Sophie says: “he has always done a great job keeping us together and happy (and drunk).” Marco is very efficient about that, we’re a big fan!
La Prima Donna @ GREEN LAB
A new experience that mixes opera with cocktails by opera singer Diana Aivia.
La Flandre à Bruxelles: Naushad Rahamat guest bartending @ VERTIGO
Naushad from Cocktails at Nine is currently mixing his socks off in Mexico at Diageo World Class 2017 representing Belgium. Godspeed, mate!
When Hortense arrived it was a real eye-opener for many bars in Brussels. The passion, creativity and attention to detail turned Hortense very quickly into an important influence for the Brussels cocktail scene.
This needs no explanation. A bartenders job is hard work and a large part of it is tasting of course! 😉
Olivier Delaunoy guest bartending @ GREEN LAB
Olivier is bartender at the Volga Bar in Liege and we must admit we haven’t visited it yet, but after seeing some photos it’s definitely on our list. Olivier will mix some curious Hendrick’s cocktails at the Hendrick’s in Wonderland event.
Also pretty straightforward. Augusta, by the way is European Restaurant in Brussels.
Marino Karinja guest bartending @ GREEN LAB
Marino normally works as a bartender in the Bokamorra Pizzaurant & Cocktails in Split, Croatia, but just for once he decided to join the Cucumber Legion and comms to our country to join the Hendrick’s in Wonderland event. By the way, if you have never visited Split before you should put it on your bucket list. It’s absolutely beautiful.
Believe me, this is going to be batshit insane! In a good way! Guillaume hails from France’s most famous Tiki bar: Le Dirty Dick. I’m not going to make jokes about the name, I’ll leave that entirely to your own imagination. Ready to have some liquid Tropical Exotica in your glass? Then you better save a seat.
Rather fancy some Italian style? Join the Notte Italiano at Cipiace. We all know Italians can party like no other, they’re professional pleasure seekers. I mean look at the ancient Romans and their parties! Leonardo is modern Roman and comes from the most famous speakeasy in Italy: The Jerry Thomas Project. A must visit.
Tom Bulleit introduced his 10 years old to Belgium and we don’t mean his grandson, we’re talking about his ‘Bulleit Bourbon 10 Years Old’. The place to be was Jord Althuizen’s grill tower, ‘Black Smoke’. Actually it was the grill tower’s rooftop, bathing in sunlight, were we spent a very pleasant afternoon, soaked in beer, bourbon and barbecue.
The Black Smoke rooftop is amazing and I don’t know if it was for the occasion, but the entire interior is drenched in Bulleit colours: orange, amber and of course, lots of wood. We were welcomed immediately with a Suffering Bastard – the drink, we mean, not Jord or Kasper – and some finger food.
The original ‘Suffering Bastard’ was invented by Joe Scialom in the Shepheard’s Hotel in Caïro in 1942 and was meant as a hangover cure. It contains a curious combination of gin and brandy, lime juice cordial, Angostura bitters and ginger ale. Depending on the size of your hangover he later also invented the ‘Dying Bastard’ (adding bourbon) and the ‘Dead Bastard’ (adding bourbon and white rum).
What we were drinking was a variation on the Suffering: Bulleit Bourbon, Tanqueray Gin, Angostura bitters, lime juice and maple syrup, topped up with ginger ale. Quite nice, no suffering at all.
After much hello-how-are-you, kissing and shaking hands we were invited to take a seat at the table. Our first dish was a beautiful home-smoked salmon accompanied by a Duvel beer. The main course was a delicious, very spicy brisket paired with a new beer of which I forgot the name. If this lunch was to continue on the same course I would definitely be needing a Suffering Bastard afterwards!
Next we got to taste the Bulleit Bourbon 10 Years. Tom Bulleit was his charming self, not going into a lot of detail, but basically just saying “Drink the stuff… and? D’you like it?”. Apparently some folks had had the brilliant idea to take him with them to the Nomads Music Festival in Amsterdam the day before and let’s say it made a lasting impression on him.
So we tasted. Well, it’s definitely Bulleit Bourbon and we’re happy for that. We like Bulleit Bourbon. But to be honest I actually didn’t taste much difference with the regular Bulleit. A bit rounder maybe and an extra touch of honey/vanilla. Maybe an extra 4 years of ageing to get it up to 10 isn’t enough? Or maybe it was the beer, the Bastard and the brisket speaking? Don’t get me wrong, it’s still yummy, but in the store, considering my wallet, I’d go for the regular Bulleit.
That being said we were being served an excellent Bulleit Old Fashioned paired with Jord’s signature desert dish “the Heartstopper”. You’ve got to eat this to believe this. It’s an eclair with a Bulleit Bourbon cream filling and salted caramel and chocolate on top.
What a beautiful afternoon it was. Also I had the pleasure to sit next to Nick Bril, Master Chef at the famous star restaurant: The Jane, who had just made a trip around the world for a television show, discovering new foods and dishes. Apparently when you order snake in some countries they put some blood, the heart and its brain as a side dish next to it. Not surprisingly it didn’t go down so well. Well, those are the risks of the trade of course, but imagine the sacrifice these people make to produce good food on your table and I mean Nick Bril of course, not the insane snake killers.
De Lijsterbes is a famous star restaurant in the little Belgian village of Berlare where master chef Geert Van Der Brugge composes culinary masterpieces in a cosy, laid-back atmosphere. Natural, healthy and approachable are the keywords of his concept. Fine dining is for everybody and so De Lijsterbes becomes an openminded food sharing community. Now, Geert knows that the best thing to accompany a beautiful dish is a wonderful drink, so the master chef decided to make one. His own home-made vermouth.
We like the rather atypical bottle design. It reminds us of the large medicine bottles in a pharmacy. The label is very minimal, at the back we can read some of the botanicals included in the vermouth. The label round the neck offers a serving suggestion, in this case: vermouth and tonic. Honestly not the first combination that sprang to my mind when I tasted it.
The nose is very herbal, medicinal almost, flowery and fresh. It reminds me of the smells you get when you’re running through the fields in spring time and especially at the forest edge where the meadows start or otherwise a very, very wild garden.
The taste has a distinct freshness, a pleasant and delicate tartness with the slightest hint of anise and a bit of ginger. It’s not sweet at all, well it has a certain sweetness, but far less than expected seeing the luscious golden, orange red colour of the drink. It has his own character and personality, which makes it difficult to categorise, it’s not sweet red vermouth, it’s not a ‘bianco’, it’s not exactly a ‘dry vermouth’ either.
Actually the first thing that sprang to mind when I took a sip was: “a refreshing, modern, dry Hippocras” with the slightest hint of wild honey and lavender even, but apparently there’s not a drop of honey in it. Also you’d expect the typical bitter tang of the wormwood, but it isn’t there. There is a bitter in it, but it’s different and we tried very hard to find out what it was, but after much ‘wailing and gnashing of teeth’ we had to ask Geert and the master chef disclosed to us that it was ‘rue’ (‘wijnruit’ in Dutch).
Now rue is a very fascinating herb so it seems. I had never heard of it before and had to look it up, what I found was very intriguing. Apparently it is the origin of the word ‘ruefulness’, which if I’m not mistaken means nothing less than ‘bitter regret’. It was very popular in ancient near eastern and Roman cuisine. In Istria and Italy it is used to flavour grappa, which is called ‘grappa alla ruta’. Also, it is the only medicine that could protect you from the lethal gaze of a basilisk!
Apart from that the herb was extremely popular in witchcraft and spell making. Probably because of the peculiar characteristic that the leaves and stem can cause an irritation which results in blisters when the irritated spot is exposed to sunlight. Cats hate the plant and take a wide circle around it. The Romans believed that this was also the case with werewolves. Harry Potter would love this herb, hell he probably drinks Lijsterbes vermouth as breakfast.
It really is a magical drink, wonderful aperitif. We love it pure over ice with a wedge of orange. We did try it with tonic and it was surprisingly good, but we believe some of the delicate herbal notes of the vermouth disappear under the tonic. We have made a particularly yummy Negroni variation with it:
We were invited into an old courtyard right in the centre of medieval Antwerp where Campari will open a new bar on May 5th called: Gaspare La Piazza Dell’Aperitivo. The moment we set foot in it, we fell in love with it. Tucked away from the commercial chaos of the city and her typical traffic infarct this courtyard offers the ultimate sensory experience of a relaxing aperitivo time.
And they take this quite literally, sensory experience, we mean. Professor Doctor Malaika Brengman from Brussels University VUB, was asked to turn the courtyard into a real Italian piazza of pleasure. So every flower, plant, colour, texture, sounds or scent you might experience is especially there to relax and re-energize you, all in Italian style.
Famous bartenders and Campari Ambassadors Jan Van Ongevalle and his daughter Hannah Van Ongevalle from The Pharmacy, Knokke, designed two Campari cocktails especially for Gaspare Bar and apart from that you can of course enjoy what is now definitely this summer’s drink: the Negroni and a refreshing Campari Tonic.
Also aperitivo is nothing without food, so antipasti will be plentiful! There will even be a shop where you can buy everything you need to aperitivo at your own place.
One more thing, when you’re in that courtyard sipping your Negroni, imagine that maybe – just maybe – 400 years ago the famous owner of this place might have sat at a table on that very same spot, discussing art and paintings with some Italian visitors…
Open from May 5th until June 30th, every Thursday, Friday and Saturday.
Last year in Ghent, Martini's Caffè Torino was a happy discovery for many visitors. The Italian style aperitivo bar focussed uniquely on Martini's recent re-interpretation of vermouth accompanied by succulent side dishes. In short, a place where you inevitably lost track of all time, aperitivo all night long! This year, 30th of March until the 24th of April, Torino lands in Antwerp transformed into a total Negroni bar with a dozen different style Negronis. Torino's opening night features none other than Naren Young from Dante NYC (voted one of the 50st best bars in the world) behind the bar.
Ever tried Martini’s Rubino and Ambrato vermouth? You should, they’re great. Ever tried a Negroni made with one of them? You should, they’re great! If Negroni is your thing you should definitely visit Caffè Torino – the first Belgian Negroni Bar – this April in Antwerp, here’s why:
Negroni around the world
‘Play with time’ is one of Torino’s mottos and they take this quite literally. They asked 6 famous bartenders to produce their signature Negroni for the menu of Torino. 6 Famous bartenders from 6 different countries…6 different time zones even. Get the gist?
Including Naren Young from New York, you will be able to choose a Negroni from Chili, Bologna, Indonesia, Dubai or Singapore. I can’t wait to try a Negroni Singapori! It sounds delicious. The Negroni, of course, is a very versatile cocktail. So much, actually that we’ve asked ourselves before what really does make a Negroni, a Negroni? At the very least we’re expecting a lot of diversity. Now, apart from these great international Negroni twisters, there’s also part of our Belgian pride, happy to conjure the Count’s favourite libation.
Belgian Negroni of The Future
Since Torino lands in Antwerp, they have asked 4 Belgian bartenders to come up with their interpretation of “the future Negroni”. So each week the menu will feature one Belgian special made by: Charly Lebrun (Bistro Des Anges), Didier Van den Broeck (Dogma), Jurgen Lijcops (Bar Burbure) or Manuel Wouters (SIPS). I’m always very curious about “future” interpretations considering how much so many classics have changed over time. Indeed, as far as my opinion is concerned the current recipe we use today for a Negroni is definitely not the recipe from the 1920’s. So trying to project today’s recipe into the future is definitely not easy. Then again it’s always fun to see the bartender’s creativity gone wild.
There’s food and it’s Italian!
Now this should be self explanatory. It’s food and it’s Italian. If you don’t like Italian food there must be something wrong with you, really, you fell down the stairs and can’t chew properly anymore or something. You took on a hobby of fire eating and torched your tongue or it was removed by terrorists during your annual holiday in Aleppo. Italian food is great and if it only resembles a tiny bit of last year’s food, it will be delicious! Pulpo for the win!! Food is provided for by Francesco & Julia, two well known ‘Italo-Antwerpians‘!
That’s basically the only thing you should remember. It’s the opening hour of the bar, 16:00hrs. The adres is 2 Sint-Antoniusstraat, Antwerp. We’ll be there at the opening night, if you want to meet me, I’ll be the guy with 7 different Negronis and a plate full of pulpo in front of him, tasting and tasting and tasting and tasting… 😉 Yummy!
On a sidenote and for those interested, we notice a possible upcoming Negroni War here. In the red corner you have Gruppo Campari, being the first brand claiming the Negroni as their own and in the blue corner you now have Bacardi-Martini deducing (somehow correctly) that if an amaro can claim a cocktail, so can the vermouth in it! Please people, let personal taste prevail, so do we and nobody stops you from being a diplomat and make your Negroni with Rubino and Campari!
Bijou, a diamond in the rough? No, it's definitely well cut and polished! A hidden jewel then? No, not really hidden, just rather modest. This bar created by cocktailian veteran, Ben Belmans and the bearded ginger sultan of drinks, Dieter Van Roy is a sparkling stone amongst pebbles! Even so that - not entirely unexpected - it won a Venuez Hospitality Award for Best Belgian Cocktailbar, within one year of its own existence.
As a young dad I can assure you that a babyless evening out feels like a million holidays. So after finishing off several bottles of milk we dropped our beloved baby daughter into the care of her grandmother, promising not to be late again to pick her up, etc, etc…
We set course for Antwerp and putting the pedal to the metal we arrived there without major traffic incidents (apparently that only happens when we have to take the baby to the doctor). Upon arrival in the big city, the adrenaline started to kick in, not a word was spoken, tension filled the cockpit, four eyes locked on both sides of the road, the 1000 yard stare, like a soldier in a trench. We were trying to find a parking spot and as we all know finding a parking spot in Antwerp is “damnation without relief”. It all comes down to luck, so we came prepared: I had put three horseshoes in the glove compartment, two rabbit’s feet on the rearview mirror, we were chewing four-leaf clover whilst throwing salt over our shoulder and before departure I had kicked a goblin in the nut sack, just to be sure.
And lo! A parking spot! After checking GPS, no more than 10 yards from the Bar itself, how lucky can you get (on a Saturday night in the City)? In gratitude I slaughtered a black hen, singing blessings to the entire Babylonian pantheon.
We were on a tight schedule: less than two hours for the bar and then off to the restaurant where we had booked a table (booking tables on a Saturday in Antwerp is “damnation without much hope for relief”). My wife inquired on the proximity and exact location of the bar, I decidedly pointed my finger at two lamps, a billboard and a glass door with a logo, “there it is”. As I said it’s not hidden, but very modest. You could just walk past it and never know you’ve passed the doorstep of Bijou. It kind of fits the personality of the bar, I think. Bijou is like the mysterious femme fatale, seductive but taciturn or the tall, dark stranger burning a match to light your cigarette.
We entered and made our way to the bar through a corridor lined with seats and tables, empty now, all occupied within three hours from my visit. I always try to visit bars early in the evening, you know within one or two hours after opening. It’s a special atmosphere, like greeting somebody at the breakfast table or watching a person waking up. You can discover a lot of the bar’s personality at that moment and it’s much easier to have a chat with the bartender.
At the far end of the corridor was the bar. The rather dark room bathed in a golden light, as if a fireplace was burning. And with the cold outside that was a welcome sight. We were welcomed with smiles and polite gestures towards a table. Our coats were taken and we were offered a glass of water. Then there was the menu and with it came a large circular card.
The menu is filled with classics and a few personal inventions like the Lazy Red Cheeks – which actually has become a classic a long while ago – and the Geraldine amongst others. What struck me immediately is that there is a large list of bottle-aged cocktails. Now we all know the small hype a while ago to barrel age everything, which was nice for some cocktails, but in many cases unnecessary or even uncalled for. I remember some very nice barrel-aged Negronis. But bottle-aged is rather uncommon and in these quantities unseen before. One also wonders: how does it taste, what difference does it make?
We decided to ask the bearded drinks wizard who joined us at the table. He answered us that besides the taste, there were several other reasons to go for bottle ageing. Taste wise the cocktail becomes very smooth and has a rounder, more intense taste. Apart from that, it is bottled months ago so you can serve cocktails extremely quick. That’s why there’s two huge freezers besides the backbar. They’re filled with glasses that already have iceballs in them, so basically you just take out a glass, open a bottle of cocktail, pour in the requested quantity, give it a little stir, garnish on top et voila! And finally, in the not too distant future, they think of selling the bottled cocktails commercially.
Sounds like a plan to me. Now we were curious about the taste of course. There was Cuban music playing and since Castro had passed away recently my wife decided to go for the El Presidente. I chose the Geraldine, from the description this looked amazing: Pierre Ferrand Cognac, Sherry, Amaro Montenegro and other ingredients. Perfect for me. The drinks arrived in no time, really immediately. And frankly, they’re excellent! Super smooth, like silk almost. Great and enduring rich taste.
I had to ask Dieter: ” don’t you really become quite bored when you pour everything from one bottle?”
“No, not really. We’re not limited to our menu and can make custom cocktails for our guests too, depending on their likes and taste. So in the quieter moments you can see me shaking and stirring quite often.”
“So, it’s actually the best of both worlds. When it’s busy you can serve extremely fast and when it’s quiet you can freewheel all that you want?”
“What’s with the circular menu card?”
“It’s actually our range of exclusive spirits and wines. As you can see they are sold by the centilitre. This way you can taste a very exclusive whisky, bourbon or rum for example, without burning a hole in your wallet.”
“Or instead of a regular sized one, you can go for several smaller samples.”
There’s also a separate ‘fumoir’ where you can enjoy the finest cigars and they do serve a delicious platter of finger food!
As a final remark about Ben Belmans and Dieter Van Roy’s Bijou Bar – and it summarises everything actually: we didn’t want to leave! It’s cosy, comfortable and timeless, plus the drinks are near to perfection and so is the hospitality!
Four and a half skulls out of five, well done Bijou! Cheers!
And you know what they say, an apple a day... Olivier Jacobs from Jigger's (Ghent) wanted to make a spirit that is honest and responsibly made. A product which he followed from apple to bottle. Distilled by Biercée this results in an eau de vie that is an absolute jewel and there's only 2000 bottles...
Olivier really loves apples and right he is, I mean apples are a big deal. Catholics have built their entire faith around it, Newton discovered gravity, the Greeks went to war for more than ten years because of one apple, we have named cities after it and stuff that takes pictures of you! Apples are good!
After all it is not so surprising that at one moment some people are going to stand up and say: “everybody’s making gin, well to hell with that, I’m going to make an apple eau de vie!”. So one year ago some 40 people started to pluck apples from an orchard in Namur and they did an incredible job, because after some calculation Olivier deduced that they must have used around 40.000 apples to make 1000 litres of apple eau de vie! When he said that, I tried to picture that mount of apples and 40 very tiered people.
The apples are from different varieties, but mostly Belle Fleurs, whence the name. They thought of calling it iApple or Eye Apple, but quickly abandoned the – rather cheesy – idea. So Belle Fleur it is and it’s lovely! We’ve always loved apple schnapps, it reminds of winter, snow and après ski get togethers. And God know’s I have left a rib on every piste in Austria that I visited. Speaking of ribs, Eve in the Garden Of Eden shouldn’t have bit the apple, she should have distilled it and probably ended up with Belle Fleur.
It is neat as well as in cocktails and we tasted two examples of it: a wonderful sour with liquorice syrup and a brilliant thirst quenching long drink with ginger and cider.
So, if you like apples – and who doesn’t- you should definitely try to lay your hands on one of those bottles. Cheers!
Every year Maison Ferrand launches a cocktail book in a different city, this book represents the (cocktail) culture and bartender scene of the country the city is located in. It started 5 years ago in Paris, followed by Berlin, London, Singapore, NYC and now Antwerp, Belgium. The good people of Maison Ferrand immediately spotted how surreal our country is and decided without a single drop of hesitation to adopt the famous painter Rene Magritte as inspiration and leading theme.
'Ceci est un cocktail book." was born. Location: Ben Belman's beautiful bar 'Bijou'.
After introductions Alexandre Gabriel, owner and master blender of Maison Ferrand took the stage. Well, stage is a big word, we cramped him in a corner where at least 75% of the attendees could see him. I mean this bar was filled to the brim with Belgian bartenders… and some press. A few exceptions give or take, I believe that everybody ever mentioned on this blog was there. The place was vibrant with enthusiasm. Just like Mr. Gabriel, this man was on fire. Not literally of course, but he was the proverbial waterfall of passionate fact- and storytelling, all of it interlaced with brilliant quotes. He started off immediately with: ” A good spirit is like a great book. Not a good book. ‘Good’ is not good enough, it has to be memorable!” Meaning that you need not necessary like the spirit, but it has to leave an impression on you. By that he wasn’t referring to splitting headaches, a hole in your tongue or diabetes, but more something like, you know, worth remembering.
When asked to describe Maison Ferrand, he replied: “We’re one of the oldest cognac houses in the world. The family goes as far back as 1610.” Quickly followed by “We’re also a bunch of misfits who like doing things differently!” How exactly? “By don’t sticking to the guns, as a Master Blender I always wanted to revisit the spirits, approach them from a different angle and that’s what we’re trying to accomplish with our little company.”
Don’t walk the beaten path is basically what they’re doing and I love that. Next there was a tasting of their spirit range and we started off with the 1840 cognac (not a bad start don’t you think?). “I love young cognacs… that are made more than a hundred years ago!” said Mr. Gabriel and we couldn’t agree more. If your spirit needs to retire for several generations in a barrel before it starts to resemble something palatable then there must be something wrong with your distillation method. There’s a lot of spirits these days that taste like a wooden plank dipped into some sort of marmalade or fudge, soulless junk in my opinion. Not so with the 1840 cognac, I loved it, it’s all grapes and standing on rolling green hills with the occasional wild flower under a summer sun, finishing with the distant humming of a single bumblebee. For the record, it is not made in 1840, but it is made in the fashion and style of an 1840 cognac (in this case a Pinet Castillon).
Next up was the Cognac Pierre Ferrand with Banyuls finish. Although not our favourite, again a good example of Maison Ferrand ‘doing things differently’ and you gotta love them for it. For ages people thought it was illegal to store cognac in wine barrels, but Alexandre and some other people started to dig in the past and question this. After extensive research they concluded that: “it is legal, but you better not tell anybody.” That’s exactly why they put “Banyuls Finish” on the label… are you beginning to see why I love these people?
The following bottle was a familiar friend: Dry Orange Curaçao. This is amazing, you have to try this, it’s an absolute wonder potion in cocktails, but also nice to taste neat. Somebody once said when asked to describe it that it tastes like Cointreau only less sweet. That does not nearly begin to describe it! Less sweet, sure, but also the cane sugar is toasted and barrel aged and the liqueur is distilled in the same pot still as the cognacs. Taste and try!
Next up Citadelle Reserve Gin. I always liked the Citadel range, it’s straightforward and delivers the goods as a good gin should. Very unlike some of the neo-gins which are described a lot like shampoos containing strawberries and lychee or lapsang and yuzu. That’s not approaching a spirit from a different angle, that’s running away from it. Actually yuzu is in the recipe of Citadelle Reserve, but you know, it’s done differently! Alexandre said: ” a great gin is not a Caesar’s salad!” And right he is. The Reserve is a ‘yellow gin’ , meaning that it’s aged for a while. In this case exactly the amount of time it would take you to smuggle a barrel out of the port of Dunkirk ( in what we now call France, but used to be Flemish and a real pirate hole too) and bring it to London. Why? Because it happened on a regular basis after 1775.
After that it was the Plantation Jamaica 2002, which is a fine rum, very intense. A real slice of Jamaica. And last, but not least, we tasted the famous Plantation Pineapple Rum: Stiggins’ Fancy. It is a rum created by Alexandre Gabriel and none other than David Wondrich. Pineapple rum was already a thing in the 19th century to such extent even that was mentioned in Charles Dickens’ Pickwick Papers where a reverend named Stiggins enjoyed a sip of pineapple rum before and after every sermon so to speak. This spirit is an absolute delight, it’s good in cocktails but we equally enjoy it neat. It is made by infusing the skin of Victoria pineapples for one week in Three Star Plantation Rum and afterwards distill it in the pot still. In the meanwhile they have infused the fruit of the pineapple for three months in the Plantation Original Dark, then they marry the two spirits together into Stiggins’ Fancy. Sheer bliss!
The cocktail book, you ask? Well it’s a booklet of a hundred pages long, filled with beautiful pictures by Evy Ottermans and recipes from about every self respecting cocktail bar and their best bartenders in Belgium. A must have, we believe.
As a conclusion I must say that Maison Ferrand is a house that I could call home. It’s small, cozy, visionary and passionate. It rebels, does things differently, producing a unique vision on spirits and a range with character and history. A toast to you, with this fine Plantation Angels Share. Cheers!
If somebody offered us a vermouth and asked: "Italian or French?" We would probably answer: "A Savoyan". Because that's where they come from, the former Duchy of Savoy. Or was it Germany? And more importantly where are they now? Italy, France? Yes and Spain and a little bit everywhere actually, even Belgium has one. Vermouth is fantastic, but instead of the countless classic cocktails you can make with it or mix it with tonic, you can also drink it differently.
In most cases, years ago, when you asked somebody what vermouth is, you got the following common knowledge: ” Oh well, erm… let’s see. It’s an Italian fortified wine with lots of herbs and stuff, very nice. Oeh! And the French have a drier, white version of it. Excellent in fish sauces.” Fast forward a couple of years and the more savvy, suave and sartorial bartenders twisted their waxed moustaches and added passionately – with twinkling eyes – the following facts: it all started in the thriving city of Turin in the late 17OO’s with a gentleman called Antonio Benedetto Carpano who made it into the wonderful aperitif which we all know today. The name comes from the German word “wermut” which means ‘wormwood’ in English and is one of the defining ingredients of the drink. Etc, etc, …
This is all true and you’re somehow fine with it, until after a while you realise something is gnawing at you. Why would an Italian spirit vendor name his invention after the French pronunciation of the German word for one of the herbal ingredients in it. He could have called it “Assenzio”, no? Or “Vino Assenzio”. He didn’t, this later came to be the name for absinthe, you know the drink made of… yes, wormwood (officially called ‘artemisia absinthium’). Still with me?
So, why did he call it ‘vermut’? Well, we’ll never know, but the following is how we like to see it. Mister Carpano didn’t invent his drink, but rather made a personalised version of an old drink, which stopped being popular 100 years earlier: wormwood wine. More specific: German wormwood wine (from the Habsburgian Holy Roman Empire).
Now, we all know that people have been putting stuff in their wine ever since the first man accidentally squished a grape, but apparently wormwood is something particular. This goes as far as Ancient Egypt if you please (probably to try to revive erroneously mummified persons or something), then centuries later the Greeks almost made a sport out of it and left us with a couple of dozens of recipes. Then the Romans put a “made in the Roman Empire” stamp on it, mainly by conquering Greece. After that everything becomes a little hazy in the Dark Ages only for it to come back as a perfect medicine against the plague and all sorts of intestinal parasites (“worms”) and stomach aches in general. This vaguely reminds us of the origin of genever, which was also conceived as a cure against the plague in a similar fashion, only instead of wormwood you’d put in juniper berries.
Anyways, fast forward a couple of centuries and we arrive at the pinnacle of popularity of German wormwood wine (16th – 17th Century) and of course the Holy Roman Empire by then was stretched to its outmost borders. Guess what was part of it then? Yes, the Duchy of Savoy, including Turin and Chambéry (home of Dolin).
Wormwood wine spread widely in those days. Of course, we had our own version in Belgium and the Netherlands called “Alsem wine“. ‘Alsem‘ being the Dutch word for wormwood. Now alsem wine made his introduction into the British Isles thanks to… yes, William III, the Dutch-born king who gave the English people gin, because they couldn’t pronounce genever. Now, funny fact, they also seemed to have trouble with something as simple as the word ‘alsem’ and quickly dubbed it ‘wholesome wine‘ (which is almost the pronunciation of the Dutch word ‘alsem’). Mind you, the British already knew wormwood wine long before William III and produced it under the name of “eisel”, but they must have liked and imported alsem wine too.
In short we can conclude that practically everybody made his version of wine aromatised with wormwood and by the 16th-17th Century people started fortifying it. Until the hype died in 1700. Upon which Carpano decided to relaunch it in 1786. And with great success! By the 19th century vermouth was all over the place and the aperitif of choice. But how did they drink it?
Well apparently a lot like they drink their coffee, in small amounts and standing up. On the go, as it were. We don’t really know the measurements, I think it must have been something between 3 and 6 cl, a Piedmont glass maybe (4,5cl). Later in bigger glasses when they started to add soda water. Actually I still like it this way, it is delicious on a hot summer afternoon. Soon they added drops of bitters to their vermouth and the Milano Torino was created when using Campari. Later the Americano arrived. No one really knows why they called it like that, but there are of course several theories.
it has nothing to do with Americans, but refers to the Italian word for bitter “amaro”. Personally I don’t think that this one is correct, because they would have called it “amaricato” and not Americano.
They called it so, because it was very popular with American tourists of those days. We doubt this one too, otherwise a lot of things would have been called “americano”, like an americano with extra cheese and olives or an americano bolognese, etc…
It refers to the style of the drink, “American style“, drink. The theory goes that it being a ‘mixed drink’, a cocktail, they called it an American style drink. We like this idea better, although we don’t believe it refers to the “mixed drink” part.
So we want to add a fourth theory: it is called Americano, referring to American style drink, because it was probably served in larger than usual quantities, adding soda and -more importantly- had ice (cubes) in it. Suppose they drank the first Milano Torinos like they drank their vermouth, meaning in small quantities, the amaro added literally in drops and later they would prefer their Milano Torino made the American way and ordered: “Milano Torino, Americano.”Which could later have been abbreviated to just “Americano”.
It also makes more sense when you consider the origin of the Negroni as being told by the inventor himself: Fosco Scarselli, in an 1962 interview. Fosco tells us that Count Negroni liked to drink Americanos and preferred them a bit stronger, “so I added a few drops (!) of unsweetened gin to his drink.” Then he continues: “the Count’s habit of adding a few drops of bitter (amaro) to his cocktail started to spread among the other customers and soon they were ordering ‘Negronis’.” Considering the ingredients of a Negroni we must conclude that his Americano must have been vermouth over ice perhaps with a splash of soda.
Anyway, ordering your “Savoyan vermouth, American style” in this day and age will get you nowhere, but you can say: “vermouth on the rocks with a splash of soda, please and an orange wheel.” And that’s how we prefer to drink it, sometimes even omitting the soda. You know vermouth isn’t just there as a mixing ingredient, it can very well carry its own. Do try it!
If you want to learn more about vermouth, be sure to read the excellent ‘Mixellany Guide To Vermouth‘ by Jared Brown & Anistatia Miller. More about the Negroni in ‘Negroni Cocktail, An Italian Legend‘ by Luca Picchi.